• LET'S GET MOVING In Let's Get Moving, a grandmother walks in profile, dressed in black with red heels, leaning on a cane and walking her dog. Her large headphones isolate her as her

  • SENDING PROGRESS Sending Progress shows innocence in action: a six-year-old boy launches a paper airplane carrying a pending message, represented by the classic red Instagram notification icon. This message is aimed at a

  • THE LAST SUPPER In this unique version of The Last Supper, Alberto León brings together his major artistic influences in a vibrant and chaotic scene, reimagining the iconic table with names like Dalí,

  • FAKE VEGAN Fake Vegan uses irony and humor to question what we sometimes hide behind appearances. In the scene, a woman on her knees is engaged in an explicit act with Ronald McDonald,

  • PRINCESSES Princesses dismantles the toughness of the hooligan by placing them in an unexpectedly tender and ironic scene. On the left, an ultra with his face covered by a yellow scarf and dressed

  • EMERGENCY Emergency portrays a moment full of spontaneity and mischief in the middle of a family outing. A father carries his son on his shoulders, while the child points playfully at a woman

  • GOLD SEAL Gold Seal plays with the contrast between the rigidity of authority and the naturalness of everyday life. A child innocently urinates on the feet of an unflappable British guard, while his

  • SUPERMAN Superman is a tender nod to everyday heroism: a father who, backpack on his shoulder, stops to pee between two dumpsters, watched in amazement by his son. There’s no cape, just humanity.

  • KOBE BRYANT Black Mamba is an eternal heartbeat in shades of purple and gold. In the center, Kobe multiplies, merging with himself, his deeds, his legacy. It's more than a portrait: it's the

  • KIDS AT PLAY Kids at Play honestly portrays the pure curiosity of childhood. Against a neon yellow background, three children explore each other without malice, while a little one watches in amazement. It's