MASK In Mask, Alberto León reminds us that walls are not barriers of prohibition, but canvases for freedom. The graffiti artist, protected with a gas mask—a symbol of resistance against a hostile environment—holds

LET'S GET MOVING In Let's Get Moving, a grandmother walks in profile, dressed in black with red heels, leaning on a cane and walking her dog. Her large headphones isolate her as her

FIRST LOVE 1 First piece of the First Love series, where innocence and spontaneous gestures give rise to a scene that is as absurd as it is endearing. Against a serene background, a

SENDING PROGRESS Sending Progress shows innocence in action: a six-year-old boy launches a paper airplane carrying a pending message, represented by the classic red Instagram notification icon. This message is aimed at a

LA PETITE MORT La Petite Mort explores femininity through the intimate moment of orgasm. Without showing her face, the woman is presented with her torso bare and her hand on her most private

THE LAST SUPPER In this unique version of The Last Supper, Alberto León brings together his major artistic influences in a vibrant and chaotic scene, reimagining the iconic table with names like Dalí,

FIRST LOVE 2 The second piece in the First Love series, where blue dominates the space, enveloping the scene in an atmosphere of innocence and calm. A boy, with complete naiveté, shows his

FAKE VEGAN Fake Vegan uses irony and humor to question what we sometimes hide behind appearances. In the scene, a woman on her knees is engaged in an explicit act with Ronald McDonald,

PRINCESSES Princesses dismantles the toughness of the hooligan by placing them in an unexpectedly tender and ironic scene. On the left, an ultra with his face covered by a yellow scarf and dressed

GIRL'S Two women meet in a passionate gesture, touching naturally, while their heads are framed showing a kiss with tongue, without censorship or pixelation. In the genital area of one of them, a